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Classical concerts featuring
Mayumi Hirasaki

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Quick overview of musician Mayumi Hirasaki by associated keywords

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Upcoming Concerts

Concerts featuring Mayumi Hirasaki in season 2024/25 or later

March 25, 2025
Artistic depiction of the event

Akademie für Alte Musik Berlin

Tue, Mar 25, 2025, 20:00
Konzerthaus Berlin, Kleiner Saal (Berlin)
Akademie für Alte Musik Berlin, Xenia Löffler (Oboe), Erwin Wieringa (Horn), Mayumi Hirasaki (Violin), sowie weitere Mitglieder der Akademie für Alte Musik Berlin
Highlights from Mozart's chamber music oeuvre take centre stage in this concert by the Akademie für Alte Musik Berlin and its wind soloists Xenia Löffler and Erwin Wieringa. Mozart's works for wind instruments are indebted to his friendships with great contemporary virtuosos: when he wrote his horn concertos and his masterful horn quintet (the latter a concerto in miniature, so to speak), the composer had Joseph Leutgeb's phenomenal playing in his ear. His only chamber music work with solo oboe was dedicated to his friend Friedrich Ramm. The member of the famous Mannheim court orchestra performed the premiere in 1781.
March 26, 2025
Artistic depiction of the event

Akademie für Alte Musik Berlin

Wed, Mar 26, 2025, 20:00
Konzerthaus Berlin, Kleiner Saal (Berlin)
Akademie für Alte Musik Berlin, Xenia Löffler (Oboe), Erwin Wieringa (Horn), Mayumi Hirasaki (Violin), sowie weitere Mitglieder der Akademie für Alte Musik Berlin
Highlights from Mozart's chamber music oeuvre take centre stage in this concert by the Akademie für Alte Musik Berlin and its wind soloists Xenia Löffler and Erwin Wieringa. Mozart's works for wind instruments are indebted to his friendships with great contemporary virtuosos: when he wrote his horn concertos and his masterful horn quintet (the latter a concerto in miniature, so to speak), the composer had Joseph Leutgeb's phenomenal playing in his ear. His only chamber music work with solo oboe was dedicated to his friend Friedrich Ramm. The member of the famous Mannheim court orchestra performed the premiere in 1781.
March 27, 2025
Artistic depiction of the event

Akademie für Alte Musik Berlin

Thu, Mar 27, 2025, 20:00
Konzerthaus Berlin, Kleiner Saal (Berlin)
Akademie für Alte Musik Berlin, Xenia Löffler (Oboe), Erwin Wieringa (Horn), Mayumi Hirasaki (Violin), sowie weitere Mitglieder der Akademie für Alte Musik Berlin
Highlights from Mozart's chamber music oeuvre take centre stage in this concert by the Akademie für Alte Musik Berlin and its wind soloists Xenia Löffler and Erwin Wieringa. Mozart's works for wind instruments are indebted to his friendships with great contemporary virtuosos: when he wrote his horn concertos and his masterful horn quintet (the latter a concerto in miniature, so to speak), the composer had Joseph Leutgeb's phenomenal playing in his ear. His only chamber music work with solo oboe was dedicated to his friend Friedrich Ramm. The member of the famous Mannheim court orchestra performed the premiere in 1781.
September 9, 2025
Artistic depiction of the event

Köthener BachCollektiv / Midori Seiler / Mayumi Hirasaki

Tue, Sep 9, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Köthener BachCollektiv, Johanna Bartz (Traversflöte), Midori Seiler (Violin), Midori Seiler (Director), Mayumi Hirasaki (Violin), Mayumi Hirasaki (Director)
With this concert in the Elbphilharmonie, the Köthen Bach Collective is celebrating a premiere: for the first time, the festival orchestra of the Köthen Bach Festival is performing outside the small Bach town in Saxony-Anhalt. The ensemble, founded in 2016, regularly comes together for the Köthen Festival from all over the world. An ensemble of the highest quality that has also attracted international attention since its first CD release last year. The direction is in the hands of two exceptional violinists: Midori Seiler, professor of baroque violin at the Folkwang University of the Arts in Essen, and Mayumi Hirasaki, professor at the Mozarteum in Salzburg. Around them, a cross-generational collective of international specialists has developed that can hardly be surpassed in its joy of playing and perfection – inspired by the historical place where the majority of Bach’s ensemble repertoire was created.